By and large, though, rhythm is not merely appended to but fully foregrounded in these compositions, in a way that's essentially new for Oneohtrix - rarely in the conventional guise of drum tracks and "beats" (though there is a stark, rudimentary one anchoring the first two minutes of "Up," which might be approximately danceable if it weren't in 7/8), but often in the form of sampled loops, creating a definite rhythmic structure without (in most cases) the use of "percussion" per se, a much calmer variation of the micro-sampling methods of Akufen and Matthew Herbert. Elsewhere, gentle waves of gauziness give way, more or less gradually, to more dynamic elements: on "Remember," an intertwined pair of looped vocal snippets (one speaking the track's title, the other a muffled, mutilated moan) slowly emerges from the amniotic haze dappled pace-setter "Andro"'s undercurrent of murmuring, garbled sound scraps flips in the final 30 seconds into a stuttered, ritualistic outburst of hand percussion and jungle screeches. But only one track, the aptly titled "Submersible," sustains itself on warmly drifting, rhythmically unfettered synthetic sound washes alone. In the former column, Lopatin still grounds his creations in conspicuously beautiful, buzzing, humming, and twinkling Kosmiche synthscapes once again, everything feels draped in a syrupy, soft-focus analog glaze. Replica, retro-synth drone maven Daniel Lopatin's return as Oneohtrix Point Never following his critically adored, profile-rocketing 2010 album Returnal (and his equally estimable work with Ford & Lopatin), offers repeat customers both familiarity and surprise in roughly equal measure. Purchase and download this album in a wide variety of formats depending on your needs.
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